[Updated April 29, 2013]
After a series of episodes telling Buffy what
she should not do, because false
steps will impede her progress towards her destiny, we now get the first of
three episodes which tell her the affirmative steps she needs to take.
The metaphor in The Puppet Show is pretty straightforward once Buffy discovers the
plot twist: Sid, the dummy, is a demon hunter, ergo he stands for Buffy. The
metaphor is the message.
Putting aside his “horny” shtick, Sid is very
dedicated to his profession. He’s willing to sacrifice his own life to
eliminate the final demon. He may have seemed a puppet, trapped by powers and
circumstances beyond his control, but in the end he wasn’t a puppet at all
because he chose his fate.
There are other metaphors here which I can’t
discuss because of spoilers. I’ll have to cut this short and talk about this
episode in more detail when we get to Prophecy
Girl. I’ll only say that I don’t think the reference to Oedipus for the
hilarious closing scene was accidental.
There are a couple of little things I love
about this episode: Principal Snyder and the irony of Cordelia’s song choice.
Trivia notes: (1) The episode takes its inspiration from the movie
Child’s Play. (2) Xander had the dummy “say” the word “redrum”. “Redrum” is the word “murder” spelled backwards, and comes from the movie
The Shining. Nick Brendan adlibbed the line. (3) Xander asked if anyone else felt like “they’d been Keyser Soze’d”. Keyser Soze is (duh) from the movie
The Usual Suspects. (4) Alyson Hannigan adlibbed Willow running off-stage. (5) Although I really like this episode, it was the lowest rated episode in the show’s history.