The title of Faith, Hope and
Trick seems to take its inspiration from Corinthians 13:13: 'But now abide
faith, hope, love, these three; but the greatest of these is love'. I think all
three virtues play a part in this episode, but I want to discuss them in
reverse order.
We saw 3 tricks in the episode besides the character: (a) Giles tricked Buffy into revealing some of the details of Becoming 2. Note, however, that Buffy said nothing to Willow or Giles other than to tell them that the spell worked and that she had to kill Angel rather than Angelus. In particular, she said nothing about Xander’s Lie. Buffy’s still repressing despite the events of Dead Man’s Party, because she thinks that’s essential in order to maintain her relationships. (b) Kakistos tricked the Slayers into a trap. (c) Faith tried to trick Buffy into dealing with Kakistos for her. This set up Giles’ trick on Buffy – Buffy’s words to Faith about Kakistos could apply to herself: “Faith: … *I'm* the one that can handle this. Buffy: Yeah. You're a real bad-ass when it comes to packing Buffy: … What was that you said about my problem? Gotta deal and move on? Well, we have the 'moving on' part right here. What about dealing? ... Faith: You don't know me. You don't know what I've been through. I'll take care of this, all right?” Buffy recognized this just before she told Giles and Willow what had happened: “She had a lot to deal with, but she did it. She got it behind her.”
We saw 3 tricks in the episode besides the character: (a) Giles tricked Buffy into revealing some of the details of Becoming 2. Note, however, that Buffy said nothing to Willow or Giles other than to tell them that the spell worked and that she had to kill Angel rather than Angelus. In particular, she said nothing about Xander’s Lie. Buffy’s still repressing despite the events of Dead Man’s Party, because she thinks that’s essential in order to maintain her relationships. (b) Kakistos tricked the Slayers into a trap. (c) Faith tried to trick Buffy into dealing with Kakistos for her. This set up Giles’ trick on Buffy – Buffy’s words to Faith about Kakistos could apply to herself: “Faith: … *I'm* the one that can handle this. Buffy: Yeah. You're a real bad-ass when it comes to packing Buffy: … What was that you said about my problem? Gotta deal and move on? Well, we have the 'moving on' part right here. What about dealing? ... Faith: You don't know me. You don't know what I've been through. I'll take care of this, all right?” Buffy recognized this just before she told Giles and Willow what had happened: “She had a lot to deal with, but she did it. She got it behind her.”
The name/word Trick got substituted for “love”, which is “the greatest
of these” in the original quote. It’s Buffy’s love for Angel which is on
display throughout the episode. And just maybe it’s love that brought Angel
back. (That’s not a spoiler – we never do find out what brought him back, so
I’m speculating.)
During the episode, Buffy hopes that she can move on from Angel,
represented by Scott Hope.
And that brings us to Faith. The name is ironic given what we see of
her in this episode. Faith lacks faith in her own ability to slay Kakistos.
Buffy shows her faith in Faith, which enables Faith to slay her personal demon.
Faith is a new slayer and that means she’ll play a metaphorical role in
the season in my interpretation. In fact, it’s the most important metaphor in
S3 so think about it as we go through the episodes. There are major clues to
that role, and to the season as a whole, in the dialogue.
Since it’s too early to talk about that yet, let’s move on to the
storyline. Buffy seemed to accept Kendra after her initial hesitation, but
she’s very reluctant to share her life or her destiny with Faith. She feels
crowded by Faith, even “single white femaled”. Now, that’s a very strong
statement if you’ve seen the movie Single
White Female, and I want to explore Buffy’s reaction. For those of you who
haven’t seen the movie, therefore, here’s a summary which is partly me but
mostly Wikipedia (hence the quotation marks):
“Allie has recently broken up with her boyfriend and advertises for a
new roommate. She eventually settles on Hedra, whom she immediately nicknames
"Hedy", and they become friends. Hedy says she had a twin sister who
died … After a few weeks, however, Hedy reveals her true nature: secretive,
manipulative and deeply disturbed. Fearing she will be kicked out of the
apartment in favor of [Allie’s boyfriend, who wants to make up with Allie], Hedy
does everything possible to make [the boyfriend] look bad, even killing a puppy
and making it look like it was his fault. Hedy then copies Allie's appearance,
right down her hairstyle [i.e., turning herself into Allie’s “twin”]. … [Allie]
follows an unaware Hedy that night to an underground sex club, and witnesses
her passing herself off as Allie. Hedy, posing as Allie, sneaks into [the
boyfriend’s] hotel room and performs oral sex on him. Afterwards Hedy attempts
to blackmail [the boyfriend] but he insists in telling Allie the truth. Hedy
kills him by gouging his eye with her stiletto heel. As she leaves his
apartment complex, the doorman mistakes her for Allie. …Hedy takes Allie
captive at gunpoint and threatens to frame Allie for the boyfriend’s death. …
She is about to execute Allie, when Allie pleads "don't make me leave
you". Hedy is convinced that Allie has come to realize her place as a
twin, and plans to run away with her, until she catches Allie making another
attempt to escape. A violent fight ensues,…. The struggle ends with Allie
stabbing Hedy to death. The film ends with a close-up of a photograph
presumably made by Hedy of their faces superimposed into one.”
Ok, I think we can agree that this summary exposes just how strong
Buffy’s reaction actually was. The question is, why such a strong reaction?
This may in part reflect Buffy’s sense of duty, but it’s also, I think, tied to
the idea that she’s supposed to be “the” slayer, the one girl in all the world. Having Faith around constantly challenges
that self-image, as well as reminding Buffy that she died. In addition, Faith’s
self-involved, even selfish approach to life makes it hard to consider any
shared activity as fair. There may be spoilerish reasons as well related to
Faith’s metaphorical role. The point is that this episode raises an issue which
will resonate throughout the remainder of the series (literally) in very surprising ways.
Trivia notes: (1) Willow’s “I’m walkin’ here” when they drag her off the curb comes from the movie Midnight Cowboy. (2) The lyrics in Buffy’s dream right after the teaser match the scene perfectly: “Everything is quiet/ Since you're not around/ And I live in the numbness now/ In the background/I do the things we did before.” (3) Scott Hope asked Buffy to dance to the song “Cure”. The refrain is “you will never be the cure”. (4) “Disco Dave” – Cordy’s description of Faith’s dance partner – is a slang term for a party animal. (5) The phrase “five by five” (and yes, I deliberately made this the fifth trivia note) comes from the communications industry. (6) Faith’s statement that slaying makes her “hungry and horny” should recall Buffy’s lines at the end of Prophecy Girl: “I'm hungry. … Is anybody else hungry? … I'm really, really hungry.” (7) When Faith asked Buffy about her “toughest kill”, Buffy responded with “The Three” (from the episode Angel). She didn’t kill them, though. (8) Mr. Trick’s description of Sunnydale as the place “Where the humans are jumpin’ and the cotton is high” plays off a line from the song “Summertime”. (9) Joyce’s reference to the “Slayer Pride parade” reinforces the “coming out” associations in Becoming 2. (10) State Street, where the Buster Keaton festival is playing, is the main street in Santa Barbara, the real world Sunnydale. (11) Angel’s return is an homage to the film Terminator.
My favorite story about Faith, comes from an instance where Joss Whedon was participating in an online fandom discussion(I don't know if he was anonymous or not), and was arguing with a fan that there was NO lesbian subtext between Buffy and Faith. The fan then pulled out a ton of specific instances of B/F interaction, and pointed out what the subtext was in each particular scene.
ReplyDeleteEver since then he's been forced to admit, that yes there is a LOT of lesbian subtext to their relationship. Although I have a hard time believing he's so clueless, how many times do Buffy and Faith refer to each other as their date.
I hadn't heard that story. Interesting. He must have been convinced, because I recall later discussions (I think with him, but could have been Doug Petrie) making express reference to that subtext.
DeleteYes he was properly schooled by that fan, I must say. I never thought of it either, until I read that story and then BOOM, it's like those 3D images, once you see it, you can't unsee it.
DeleteI've certainly come across lots of Fuffy shippers on line. Just another example of the fact that the interpretation of a text isn't limited to the author.
Delete[SPOILER]
ReplyDeleteJust for the record, Angel's reconstitution is explained in Season 4 of Angel as the divine workings of Jasmine. I don't blame for you forgetting and/or blocking that out, though. While I prefer AtS to BtVS, THAT particular dynamic or that particular storyline always irked me for a number of reasons. Namely that it was so unnecessary and so poorly told. Perhaps the weakest moment in all of Joss's storytelling career. But for the record...
SPOILERS FOR AMENDS AND FOR ATS4
DeleteIf Jasmine is telling the truth... or if the First was in Amends.
SPOILERS
DeleteA-ha! I like it! THIS is why I enjoyed the AVClub discussions and your write-ups!
I honestly hadn't considered those options. Of course (a) God is a liar in Whedon's world - it fits with his other global constructions of humanity's place and identity in the universe. I still think that it is an unearned plot twist, but it opens some interesting boxes of how we construct reality and, more importantly, does it matter? Which, I suppose, is the thesis of AtS in a nutshell.
I like to think of Giles' made up spell
ReplyDeleteon this episode as a metaphor of the relationship between the writers (played here by Giles) and the audience (Buffy).
All the mystical stuff in the series is as unimportant and ultimately as unreal as Giles' spell. It's only the effect in us what exists and matters.
Sorry for the cheesy :)
Do you have an email adress where I can send you a couple of questions about your work?
I think that's a perfectly legitimate way to see it. There's lots of meta commentary in the show; indeed, the whole show can be seen that way.
ReplyDeleteYou can reach me at markefield@aol.com. Thanks for the thoughts.
Wow, that movie must have affected Joss quite a bit.
ReplyDelete*minor non-specific plot spoiler for a later season below*
I've never seen Single White Female (although it sounds interesting and maybe I'll check it out), but in the later seasons of BTVS there is a thing involving switching bodies and a VERY emotional, brilliant scene involving two characters beating the crap out of each other in a church. Without saying anything too specific, if you remember that moment, both the violence and the "superimposition of the photos" in the description you gave of Single White Female mirror the metaphor that happens on-screen (and then transforms from metaphor to direct message, which is the brilliance). Seems unlikely to be a coincidence!
Also I'll prob say this again when we get there, but I think that might be a literal top 5 moment in the entire show for me. I don't even like that character as much as most people seem to, but she still has some of the deepest moments in the show, metaphorically-speaking.
It's not a great movie, but it's interesting from exactly the perspective you mention. You've anticipated what I say about that episode.
DeleteOh, nice! OK great. Yeah I think it's somewhat obvious, but only if one has been given the information you present here. I'll not go out of my way to see it then, haha.
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